To Dhe

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Next morning we ambled out of Lo Monthang and quickly began climbing to the top of the Lo La, the pass above Lo Monthang, and, after stopping for a last look back at the walled city, we headed to Dhe en route to Yara.

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We were heading south again but would soon turn east and cross the Kali Gandaki. We followed a rough track of loose, sandy soil along a ridge. As we ambled along I found myself looking down at the horse and footprints in the sand made by other travellers, not thinking about much at all, until I realised that I was no longer seeing horse and footprints but also large paw prints. They were heading in the opposite direction, back to Lo Monthang. I turned around to Netra and Dabendra walking behind me and holding my hand in a claw shape, shook it towards to the ground.

“Paw prints,” I said, and pointed at the ground.
“Ya, tiger,” replied Netra.
“Snow leopard?”
“Ya, ya. Big one,” he replied, and laughed.

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My eyes were now glued to the ground and the prints continued until we reached the turnoff to Dhe, where they gave way to small goat prints. They continued along the track that led to Tsarang, not far from Marong, where 120 goats had been killed by a snow leopard, just a couple of weeks before.

We now turned to descend towards the river, but the horses decided that they’d rather not. The brown horse, carrying the packs, took off running way off the track. Dabendra set off yelling abuse and throwing rocks at it, trying to steer it back onto the track. Meanwhile, Netra motioned to me to dismount because the descent was too steep and slippery for riding. Let go, my white horse took off too and try as they might, Dabendra and Netra could not get it back. It was headed back to Lo Monthang; it had clearly enjoyed its time there and decided it would prefer to return. The brown horse tried to follow it, but Netra managed to stop it in time. It kept stopping and trying to turn but we all managed to keep it going in the right direction. Netra turned and ran back up to help Dabendra.

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We were a long way down when we finally spied Netra far above us walking down alone. There was no sign of Dabendra or the other horse, so we all just carried on, slipping and gingerly making our way down the very steep, slippery, sandy slope.

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Below us emerged the patchwork quilt of the fields of Dhe, stretching to the edge of the river bank. On the opposite bank was the village of Surkhang, but it is only accessible from Dhe when the river is low enough to walk across as it sits where the Puyung Khola meets the Kali Gandaki and there is no bridge between the two villages. A suspension bridges crosses the Kali Gandaki river upstream of the meeting point between the two streams.

We had just arrived at the bottom, outside the village of Dhe, when to our amazement here came Dabendra on the white horse, galloping it down the same track we’d just inched our way down.

Like the village of Samdzong, which is moving due to lack of water, the village of Dhe has been struggling with the same problem, and has begun the process of relocation. Some outside of Dhe believe the village’s troubles have been caused by the selling of saligrams, others because they killed and skinned a yeti.

But as we sat in the warm dining room waiting for our noodle soup, we were oblivious to all of this. The room was much like all the dining rooms, with its mud benches covered in carpets running around the perimeter behind low, ornately painted tables. The walls were a blue-green and covered in the same pictures as in many of the other lodges: the panorama of Lhasa, a large painting of the Potala palace (the former residence of the Dalai Lama in Lhasa), photos of the Dalai Lama and Sakya Trinzen, some family photos, and a large silk thangka. Wires were strung loosely around the tops of the walls and ran down to two car batteries. One appeared to be for lighting, the other to power a small television inside a glass-fronted cabinet.

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Kitchen noises could be heard from behind the piece of fabric hanging in the doorway. Otherwise the place seemed deserted. While we waited, Dabendra was put to work carrying lunch out to the workers in the field, baskets of food and a thermos of tea. Netra came in and gave us an apple each; here as in most of the villages there were plenty of apples.

Lunch over, Dabendra took the horses down and across the river, while the rest of us went via the long metal suspension bridge. Below us, a thin milky blue stream ran. Clumps of poplars huddled close to the water’s edge.

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Upstream, where the gorge narrowed, stood a small red chorten, its edges crumbling, towered over by the weathered cliffs, with horizontal layers of red, yellow, grey, and brown. Over all arced the hard, blue, cloudless sky.

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We were in remote country now.

Farewell the Walled City

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On our last afternoon we went for a final walk around Lo Manthang. People sat in the late afternoon sun, as though soaking it up while they could, for it would soon be winter. Some called “Namaste”, one older man “tashi delek” the Tibetan greeting. Men carrying loads of hay and heavy feed bags strapped to their foreheads walked with purpose. Somewhere a goat bleated. In one street, children, still in their school uniforms, called out,

“Where are you from?” and, a common greeting, “Where are you going?”.
Old women sat on the ground, backs against the wall, chatting. Men sat on ledges outside shops desultorily twirling small prayer wheels, asking

“You like to look in my shop?”

One elderly man, whom we had seen a few times on our walks, offered

“Rooftop view?”, and we had seen a few photographers take up his offer.

Of course there would be a fee for this privilege. Women, bent double, swept leaves from the rough ground with the small brooms made from sticks tied together that you see throughout Nepal. Others crouched by taps washing clothes and metal dishes. Goat hides lay spread out, drying. The air was crisp with the chill of the coming night and, as ever, the smell of manure, clods of it drying along the ledges, was everywhere. Around this ancient, walled city, the ageless hills rose, silently, majestically, as though in the quiet understanding that this city, although it had stood for nearly 700 years on its “Plain of Aspiration”, would one day pass away, and that when it did, the hills would still stand silently, eternally.

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Outside the city walls, a large square building with square towers on each corner was being constructed, two storeys high, three at the corners. The bottom storey and the top of each tower had an outer surface of stones while the other walls were smoothly rendered. An “R” had been worked into the stonework on at least one of the towers. It had timber windows set deep into the cement grey wall. Large sheets of plywood covered what looked like the main entrance. It was still very much a construction site but no work was going on. This was a new boutique hotel being built by the Crown Prince or Gyalchung. A boutique hotel seemed incongruous in Lo Manthang. It’s not the kind of destination you’d head for if you wanted luxury accommodation.

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Outside, between the Kunga Shopping Shop and the Lo Manthang Youth Club, advertising “hot showers” in hand-painted letters on its wall, two women and their children squatted by the stream washing clothes. Here the stream was wider just before the concrete channel began that directed the water around and through the main gate, and channeled it through the whole city. It ran clear and shallow over smooth stones. Using bars of soap and plastic scrubbing brushes, the women scrubbed the clothing on the larger stones. Even the children’s shoes were waiting in the queue to be cleaned. Two little girls called out “Namaste” and one proudly pointed to one of the women, saying, “this my mother!”.

We passed a boy of about 6 trying to ride a small broken bike, its back wheel hopelessly buckled. We watched three little boys of about 4 pulling two cardboard boxes along by pieces of string. Every now and then they stopped to put some leaves or bits of rubbish in the boxes, then continued on, chatting seriously about the whole operation.

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That night, our last in Lo Manthang, I climbed up the ladder at the end of the upstairs balcony and onto the roof. The moon was up and the hills glowed pale orange and butter yellow in the last remnant of daylight. Prayer flags fluttered in the breeze and birds still twittered busily. Over the wall, the palace stood dark and abandoned. In the distance a horn blared, then a tractor with a large trailer attached, heavily laden with green grass, rattled noisily up the street, pausing briefly with each new acceleration, like an old man catching his breath, and carrying with it the jarring sound of Bollywood pop music.

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A Cave and Two Monasteries

The next day, we rode north to the area of Chhosar and the village of Garphu. We followed a rough sandy track, on the western bank of the Kali Gandaki. Here it was much narrower and quite dry. Its vertical banks were a long way above the small rivulets, timidly snaking their way at this time of year. Around us the land spread out, dry and barren but for the patchy clumps of spindly grass. High on rounded hills stood the ruins of forts. I read that sky burials were performed in this remote place.

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Our arrival at Chhosar piqued the interest of three small grubby children who stood staring at us, fingers in mouths, thick streams of snot heading south, outside the one shop, which doubles as a cafe, selling warm Coke and cans of Budweiser with Chinese writing on the sides, Lhasa beer, juice poppers, biscuits, noodles, chips, strings of beads, shampoo, vaseline, phone recharge cards and anything else a village might need. A radio blared “I’m a gangsta baby!”.

We followed Jit on foot across a hard dirt soccer pitch and up to the Shija Jhong caves.

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Holes could be seen going up about five levels. A set of stairs had been constructed for easy access to the entrance, but once inside it was extremely cramped and difficult to get around. The main entrance cave was about the only one with any space for more than a couple of people and in which anyone could stand comfortably. Here an old woman in grubby traditional dress sat on a bench, smiling a toothless smile. It was her job to guard the caves but there wasn’t a lot to steal. Against the inside wall was a glass-fronted cabinet containing dusty clay bowls and flasks, a few broken saligrams (Ammonite fossils revered by Hindus as incarnations of the goddess Shiva), a couple of traditional animal skin shoes and one gold Buddha pendant on a chain. On another wall hung a filthy striped apron, torn and fraying, a few small canvas bags, and some white and yellow silk katas had been strung across the ceiling. All of the blackened walls had been graffitied, with things like “Ganesh” and “Jomsom” and things in Devanagari script, the traditional script of Nepal. The ceilings were as though covered in black diamonds, hard and shiny, presumably blackened by centuries of cow dung fires.

In places the caves formed corridors along which other caves led off. There was nothing in any of them except piles of feathers on the loose dirt floors. They gave off a cold dusty smell. We stooped our way through them and up and down ladders, puffing heavily in the thin cool air.

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After the caves we headed over to the Nyphu monastery. It was perched above a small collection of houses, all joined together. We stopped to look south.

Cirrus clouds feathered across the hard blue sky and in the gap between the barren hills which sat either side of the village, the snow-capped Annapurnas could be seen once more, far to the south now. The place seemed deserted except for an old woman who came walking up the side of one of the houses, hands clasped behind her back, the coloured stripes of her apron dulled by layers of brown dust. Her head was wrapped in a green scarf, black leggings emerged from the bottom of her equally dusty bukkhoo and she wore white joggers on her feet. She gazed up at us then turned to see what we were looking at.

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As we walked up the stairs to the monastery door, a goat went ahead of us and stood with us on the front porch as we waited for someone to bring the key. At last one of the monks appeared and, after shooing away the goat, unlocked the wooden door with much creaking and scraping. As he pushed it open, the smell of incense rushed out. It was a small monastery, 700 years old and of the Nyingmapa sect, the oldest one, established by Padmasambhava the same as Lo Gekar. The wall paintings were in very bad condition, blackened and fading as in the monasteries of Lo Manthang. Gold Buddha statues sat complacently behind glass, one holding a pearlescent lotus flower, the other holding two of its hands in a prayer position while the other two hands were held out to the sides, fingers and thumbs curled toward one another.

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Garphu monastery sat in a small courtyard amongst the houses. Atop its entrance were gleaming golden statues of two deer facing the Dharmachakra or Dharma wheel. This is a common image above the entrance of Tibetan Buddhist monasteries. These mythical deer, a male and female, representing peace and compassion, have just one horn and are known as Tibetan unicorns, magical creatures that manifest only in the presence of great teachers. They raise their eyes to the Dharma Wheel in aspiration to reach Dharma or Nirvana.

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Back at the shop-cafe we ordered fried rice and Jit and Netra sat and drank warm Budweiser. Many people came into the shop and bought Coke. While we waited, we watched the TV, on which men with perfect hair and heavy eye makeup chased each other along some busy Indian street, and laughed along with the others. We couldn’t understand a word of the Hindi movie, but there didn’t seem to be much of a story anyway.

 

The Buddha Who is to Come

As we wandered the streets of Lo Manthang, we kept passing a tall red building, solid and windowless. There were rectangular holes cut into the lower part of the walls and I put my eye to them but felt only cold blackness. I turned the torch on on my phone and shone it through the hole, but its feeble light was no match for that darkness.

There was one thing I was determined to see in Lo Manthang, and that was the enormous statue of the Buddha that Michel Peissel had come across in his explorations, and I suspected that this dark building was where it sat.

Jit arranged for us to see the three monasteries of Lo Manthang. We first visited the Chode monastery where the monastic school is located and heard eighty-three small monks reciting their scriptures. Next to the monastery was a chorten that contains the body of a powerful lama. It also contains a relic from an abbott who had died twelve years before and the guide told us that when he died, snow fell in Kathmandu for the first time in sixty-two years.

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Door of Jampa Monastery

Another guide, Tashi, carrying a large torch, led us along the streets and into a courtyard. We climbed some steps to the walkway above and he unlocked the padlock on a heavy, carved wooden door. The sound echoed as in a large cavern and we stepped into the gloom. As my eyes adjusted, there opposite, rising up out of the gloom below, was the great, golden statue of the Maitreya, the Buddha who is to come, at once benevolent and forbidding. For 600 years, since the founding of Lo Monthang, it had sat there. On the altar against the railing before it, as well as butter lamps and bowls of water, were offerings of rice, money, biscuits, a juice popper, and a cylinder of Pringles chips. A woman stood, fervently intoning prayers.

Leaning over the railing, I peered down into the lower floor where the base of the statue sat. Beyond the base, impenetrable darkness.

I asked Tashi what was in the floor above and he told me it was a Mahakala room and therefore dangerous to enter. Mahakala is the fierce protector god.

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Second and third floors of Jampa Monastery

Tashi then took us to the Tubchen monastery. We entered what I can only describe as a vast cathedral. Great pillars, thirty-five of them, the width of whole tree trunks held up the roof, almost eight metres high, the floor space 28 by 18 metres. The brackets atop the pillars were intricately carved and around the edge of the skylight recess were snow lions, mythical creatures of the Himalayas symbolising fearlessness and unconditional, youthful joy.

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Entrance to Tubchen Monastery

Tashi was one of a group of artists working with Italian experts to restore the Jampa and Tubchen monasteries. In both, the paintings had deteriorated from age, soot from the butter lamps and incense, and water leaking from the ceilings. The walls had been cleaned and, in some places, resurfaced and new paint added. In some places, whole new paintings were being added to replace those completely lost.

Thousands of dollars of foreign money is being spent on the restoration, but younger Lobas are leaving and those with money invest it abroad. In a place that has no health facility beyond a health post staffed by the equivalent of a paramedic, there is tension about the money being spent on the restorations. While some people feel it is important to maintain their heritage and culture, others feel it is the foreigners who really want it. There is speculation that the palace will not be restored before the Raja is too old to return and that it may become a museum.

Will Lo Manthang eventually become just one great, remote museum for foreigners to visit?

 

Travelling back in time

I am a travel writer working on my first book about Upper Mustang, Nepal.

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The Kali Gandaki river

I learnt about this area about five years ago when I was researching Nepal before my first trip there. That’s when I came across the mediaeval walled city of Lo Manthang. That there was a walled city on the Tibetan plateau, built in the Middle Ages, still in existence, still occupied by descendants of the original inhabitants, still with its own royal family, was mind-blowing.  I had to go there. I looked for books about it but the only one I found was a book written in 1965 by a Frenchman, Michel Peissel, called Mustang: The Lost Tibetan Kingdom, but nothing since. I tried to get a copy, but it was long out of print. Copies went for as much as $400 on the Internet, but I persevered and finally found an affordable copy.

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After reading his book I decided to set out on horseback for Lo Manthang in the footsteps of Mr. Peissel, fifty years after his journey, to see what he saw, what was the same and what had changed. It was a journey into north-western Nepal, but in reality a journey into Tibet as it was before the Chinese occupation; it felt like going back in time.

Come back and visit and I’ll tell you about it.