Under Constant Surveillance

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The Potala

When I first saw the Potala Palace I cried; firstly because I had long dreamed of making the high-altitude train journey to Lhasa and seeing the Potala, and secondly because it was obvious Lhasa is rapidly being turned into another Chinese city, replete with identical high-rise apartment blocks.

We were met at the station by our guide who greeted us with “Tashi Delek!” and the traditional silk katas, which he draped around our necks. Close by was a Chinese soldier armed with a large rifle. Once in the car we were told that we would see many police and soldiers on the streets of Lhasa but that we must not photograph them. Sure enough on the corner where we stopped and were led to our hotel, several police with full riot gear ready to go stood surrounded by Tibetans going about their business. In front of the stony-faced police, smiling Tibetan faces said, “Welcome to Lhasa!”

We followed our guide through the narrow winding streets of what is known as the Tibetan area, as though the whole city weren’t Tibetan. It is the original part of Lhasa and surrounds the most holy of Tibetan Buddhism’s monasteries, the Jokhang. Women in  traditional Tibetan dress–a wrap-around pinafore over a blouse and with a colourful striped apron at the front– and some men wearing the traditional Chuba–like an over-sized dressing gown worn with an arm in only one sleeve–walked in a never-ending stream fingering their prayer beads and murmuring prayers. At each corner a camera watched them.

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Tibetans in the Barkor

A welcome lunch was provided in the dining room after we stowed our bags and had time to catch our breath. My head was swimming after the jump from 2200m in Xining to 3800m. We were advised to rest that day and not to shower to give ourselves time to adjust. I didn’t need any encouragement to rest although I did try to shower and found the hot water refusing to arrive so gave up.

As we sat at lunch two well-dressed Chinese women came in. My first thought was that they were office workers on their lunch break; they didn’t look like tourists. But it occurred to me that it was strange that such women would come for lunch in a boutique hotel dining room, tucked away in the Tibetan area. I looked at the man behind the bar and saw him looking at them. His face was serious. There was a young couple also having lunch. They looked like backpackers. The barman didn’t stare at them. So my next unsettling thought was, were these plain-clothes police?

And so began nine days of guarded conversation and careful photography. The oppression of constant surveillance cowed my usually adventurous husband. On every other trip we’ve done he strides out early in the morning, often before I’m awake, to explore the area and get his bearings. He made one furtive foray that afternoon and afterwards was too afraid. He became sick and twitched nervously every time I took my phone out to take a picture in the street.

I, on the other hand, was not the slightest bit afraid. I was instead angry and sad that people as gentle as the Tibetans obviously were, had to live this way and that I too had to be intimidated into pretending that China isn’t systematically undermining Tibetan culture. It continues to make me angry because for fear of endangering our guide, I still can’t speak freely.

What I can say was that the Dalai Lama is conspicuous by his total absence in conversation and by being the only high lama whose picture is never seen. Photos of the previous, 13th Dalai Lama, are displayed in the monasteries, as are the Karmapa Lama and controversial, Chinese appointed 11th Panchen Lama, but the only reference to the present Dalai Lama was when we saw what were once his living quarters in the Potala.

I saw the ruins of old houses next to where new buildings were going up. People picked through the rubble. We drove past the new “education precinct” where boarding schools are being built for Tibetan children from other areas of Tibet. Here they will be educated away from their families, taught only in Mandarin from as young as grade three. An enormous portrait of Xi Jinping greets the students at the entrances.

At each entrance to the Barkor, the area that surrounds the Jokhang, police are stationed. All bags must be screened and once we had to produce our passports and were asked which hotel we were staying in. The Tibetans have to produce their ID cards and were frequently questioned. Once inside you step into the clockwise current that sweeps around the monastery, clockwise being the traditional, respectful direction. Shops and restaurants line both sides so you can break off to do some browsing. Police are stationed at regular points and in the square outside the entrance to the Jokhang are firefighters sitting ready. There have been several self-immolations by monks in protest against Chinese controls. Lighters and matches are forbidden in the Barkor.

The Tibetans ignore the police in riot gear, the armoured vehicles, the soldiers marching in formation, and continue in their clockwise pilgrimage. Some perform prostrations as they go, lying face down, getting up, walking a couple of paces, then lying face down again. They wear knee pads and blocks on their hands. The police look on, faces impassive.

As wonderful as it was to go inside the Potala and the Jokhang and wander the narrow streets of the Tibetan area, it was hard to enjoy being in Lhasa, and even as we journeyed south, where the surveillance was only marginally less (we had a camera in our car!) we could never relax and began longing for escape across the border to Nepal, like so many Tibetans who will never have that opportunity. It was like an inevitable punctuation to the end of our trip when our China Lonely Planet guide was confiscated at the border. We bought it in Australia and had used it throughout our three weeks in China but they took it at journey’s end. No books, no maps to be taken out. Paranoia and stupidity combined. 

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Dashcam pointing inwards

Nevermind. As we walked across the bridge to Nepal, which can’t afford bag screening machines so instead has a quick feel of your bags outside a rough hut, and climbed into a jeep for the bone-jarring ride on the roughest road imaginable to Kathmandu, we still had our Tibet Lonely Planet guides and Pocket Maps stored in our iPads.

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Nepal: the road from the Chinese border

And we were free.

The Dead Hand of Tsarang

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The entrance chorten, Tsarang.

A photo of Tsarang is on the front cover of my copy of Michel Peissel’s book. When I showed it to Jit he said, “I think you will see more trees now.” He was right. The village in Peissel’s picture shows numerous, bright green, walled fields but few trees, but now trees grow all through and around the village. Two buildings dominate Tsarang: the monastery and the huge, five-storey, palace.

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The monastery

Michel Peissel spent a lot of time in Tsarang where he stayed in the monastery at the invitation of the abbott. The abbott was the son of the Raja of Lo; he left his monastery to marry and had a son. His wife died when the boy was only four-years-old and the monk decided to return to his monastic way of life, confining himself within the royal apartments of the Tsarang monastery.

…he took a vow to devote himself for three years to solitary meditation, and to study the Tantric paths of enlightenment in atonement for his past behaviour. He also vowed that he would not eat during daylight…

The son was living there with him and about a dozen elderly monks when Peissel came to stay. That boy is now the Crown Prince of Lo, or Gyalchung, as the current Raja* has no surviving children, and while he is often described as being the Raja’s son he is in fact his nephew.

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The old palace

We climbed the rough stone stairs of the old palace and a monk unlocked a wooden door. It had been one hundred years or more since the Raja of Lo used this palace as a residence and it is all but a ruin. Still, the chapel has lamps lit and the seven bowls of water set before its golden gods each morning. I marvelled that it hadn’t fallen down in the earthquake and prayed there would be no tremors as we clambered up a rickety ladder and onto an internal balcony which railings were long gone (if they ever existed). The whole place was dirt, dust, and crumbling stone walls and timbers. One room appeared to have been the “bathroom”, two timber-framed holes in the floor falling the three storeys to the ground below—the traditional style toilet still used by Loba, the waste mixed with hay to become compost. I followed Jit into an adjoining room but he quickly turned and ushered me out saying,

“Is dirty.”

It stunk, and not of animal dung.

The monk then unlocked a door to another small chapel filled with ancient, mediaeval-looking weapons all hanging on the wall or sitting on dusty shelves as though they’d sat there since being put away after the last battle. In 1964 Michel Peissel visited the same room and, from the way he described it, nothing about it had changed. To my amazement even the most gruesome object was still there:

Fumbling around the altar among the swords, our guide eventually gave me a dark brown object that to my disgust I recognised—by the light of the small window—as a dried up human hand!

Hanging on a hook alongside some of the other implements was indeed a black, shrivelled human hand, its dirty, yellowed nails curved, hard and smooth. Peissel was told, or assumed, that it was the hand of a thief which had been cut off as punishment, but when Jit asked the monk he had a different story.

“One who is building this, err, working,” Jit attempted to translate, “then, err, same king is thinking—this very bad thinking—same palace not other place, err, build. For that they cut so after he is not going to work other.”
“Oh, they cut off the builder’s hand so he couldn’t go away and build another palace for someone else?”
“Ee, yes!”
“It must be very old,” I said.
“Yes. Not less than, err, more than two centuries old.”

Very bad thinking indeed.

Neville had found a box covered in skulls and asked Jit what was in it. Jit asked the monk.

“Somethings very dead,” said Jit, and laughed.

Hanging on the wall above was a suit of chainmail and I lifted part of it. It was very heavy.

“Is iron, I think so,” said Jit.

Next to it was a helmet and then what looked like a breast plate made of some kind of thin bone.

“Yes I think so one, ee, animal,” Jit tried to explain. “What calling, err, maybe this area I don’t think so. This found, err, lower place.”
“Is it shell?” I asked
“This, you know, err, is skin. Is out of skin this kind of, err, things.”
“Like a crocodile?”
“Err, not crocodile. Other is, this kind is very similar. Is walking like the crocodile in the forest. In some place they find now also. From our village also they found also, mm, like a lizard.”
“Like a big lizard?”
“Like the, err, I don’t know so English name.”

I really had no idea. Nepal has a creature called a gharial that lives in the jungle rivers. It is just like a crocodile, but has a long, very narrow snout with a bulbous growth on the end. Maybe it was a gharial skin.

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The only photo I was allowed to take inside the palace

The monk told us it was too dangerous to visit the rest of the palace and anyway, Jit explained, there was not much else to see, just a whole lot more empty, dusty, rooms, but we were allowed to climb up to the next floor from which we’d get a good view of the village as long as we didn’t stay up there too long. We were now on the fourth floor and through frameless window holes we could see all of Tsarang spread out below us, its neat white-washed houses, their roofs lined with stacked timber, surrounded everywhere by green trees. We even looked down now on the monastery over on its high ridge. On the far side of the village was the large entrance chorten from the cover of Peissel’s book and, beyond this, brown plains where the wind was whipping up the dust towards the dull hills beyond. Jit told us we would be heading that way the next day. He then pointed out a hole in the floor where the earth was crumbling away, and so we quickly climbed down and out.

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*The Raja of Lo (king of Mustang) sadly passed away in December 2016, aged 86.

A Flying Monk and a Dangerous Goddess

With apologies for a long hiatus, here is the next post:

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Luri Gompa (red building high up)

We were about fifteen minutes into our trek to Luri Gompa when I realised I had left the pouch I always carried with my passport and phone, back at the lodge Yara, where we were staying a second night after Luri. I needed the phone for photos and I never liked to be without my passport, no matter where I was. So Netra, generous and tireless soul that he was, went back to get it for me.
Jit called, “Bistera, bistera,” to Dabendra as we continued on—“slowly, slowly,”—to give Netra time to catch up, but we’d been travelling for about half an hour and he still hadn’t appeared.

“Rose, you are sure it is in your room?” asked Jit.
“Yes. It’ll be on my bed.”
“Ok.”

And we ambled on. I got off the horse, because my knees were killing me, and walked for a while. We were travelling upstream along the northern bank of the Puyung Khola which joins the Kali Gandaki at Dhe and Surkhang. It was just a thin trickle in most places. There were many caves high up in the cliffs, as well as at ground level with dry stone walled enclosures built around their openings. There were also some freestanding enclosures with very basic, rough shelters attached, which I imagine are for goats or sheep and their shepherds to take shelter.

We reached Luri and still no Netra, but neither had the guy with the key arrived. Jit found he had phone coverage over on the rise above the river so walked over to call him. Meanwhile, Dabendra mounted the brown horse, bareback (it was carrying no packs because we were returning to Yara for another night), and took off to find Netra. He found him waiting at the small village of Ghara. Netra had taken the high road and, not being able to find us, had decided to wait there. And he had my pouch. Having found Netra, Dabendra turned and rode back to Luri, while Netra walked, arriving at the same time as the key holder. Jit, Neville and I were sitting on the ground waiting when Dabendra came galloping at full tilt. He pulled the horse up sharply and, with no saddle to hold him, pitched head first over the horse’s head and onto the hard, rocky ground. We rushed over to see if he was ok, but he promptly picked himself up, tossed his head and said he was fine. He spent the next two days limping.

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While Dabendra slept on the ground by the horses, the man with the key took us first to a small gompa on the flat ground high above the river. Strings of ragged prayer flags criss-crossed above it and fluttered in the breeze. Jit told us this gompa was only about one hundred years old. The guide unlocked the door and we entered a dimly lit room. It was like the other monasteries we’d visited but clearly little used. Statues stood at one end and in front the altar were butter lamps and bowls of water. The guide lit a butter lamp and quietly intoned some prayers. Jit told us that someone comes early every morning to do this, or if there are visitors, will wait and do it then. After a quick look inside we followed the man out and waited while he lit a small fire in the courtyard using some of the aromatic plant that grows all over the hills, and said some more prayers.

Across the river the high red cliffs had been eroded into sharp pointed flutes, the eroded earth piled against the base and falling away into the narrow gorge. They resembled giant termite mounds. Caves dotted the lower parts.

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“Ah!” cried Jit, pointing at a very sharp, high flute. “I see this when I come here last time, but I thought in the earthquake maybe it has fall down, but still there.”

The flute had a flat disk-shape that appeared to balance on top. It protruded high above the rest of the cliff. The guide looked up as well and then spoke to Jit, explaining something. Jit translated:

“He says, mmm, there was very powerful lama living in a cave here,” he said, and turned to point at the many caves in the cliffs behind us. “Every morning, he is fly across the river, and build this, ee, stone here on top.”

I pictured the lama calmly leaving his spartan cave each morning and flying across in the thin, cold air, his maroon robes flapping, to place another piece on the point he was building.

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There was a stone wall enclosure that had been built out from the base of the cliff on our side of the gorge, which Jit said had been used for monks who wished to meditate for long periods. People from the nearby village would bring food each day. The walls were now crumbling, the stones falling away down the slope.

“The monks looking for the quiet place with nobody disturbing. And ça monks are powerful,” said Jit with awe.

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We now began the climb to the cave gompa. We passed three crumbling chortens with poles stuck in their tops and prayer flags strung between them. Little remained of the paint and engravings on the sides. One had completely collapsed and was just a mound of yellow clay with some stones sticking out. A square red building sat perched high up on the cliff but the gompa itself was inside one of the many caves. To reach this we had to follow a steep track up and across a metal bridge, covered along its length with prayer flags, and then up higher still until we reached a cave below the building. We entered and climbed a wooden ladder. Beside the new ladder sat the old one, a notched log such as we had seen in Lo Monthang and many other villages. We huffed and puffed in the thin air.

We entered a small cave where there were several smallish statues set against the back wall. Behind these were silk thangkas. In front was an old cabinet along which were some small bowls, and beside this a low table with a couple of butter lamps on it. On the left was a small chorten. Large tea pots and other vessels sat on other tables and on the uneven floor. Everything was grimy with dirt and soot. The guide lit the lamps and stood chanting prayers in a low voice while we waited quietly. He then unlocked a door on the left and we entered a small cave that was almost entirely filled with a polished, ornately painted chorten. Jit pointed to the outer wall where there was a section made from mud.

“This was open, but now block,” he said, “because people is coming to take things. Maybe Khampas. This area many Khampas. Maybe Khampas destroy and find the gold or something.”
“Gold?” I asked
“Inside the chorten they put in there normally gold or many valuable things. And mantra also.”

Michel Peissel describes how on leaving the chorten cave, which he likened to “Ali Baba’s cave” they were indeed “assailed by the ‘forty thieves’—some two score Khampas, who wanted to know if we had arms, saying they ‘needed them badly’. I persuaded them with some difficulty that I had none.”

Of all the chortens and paintings we had seen in the monasteries we’d visited, this one was unique. It is known as the “Hundred Thousand Dragons Chorten”. Luri belongs to a sub-sect of the Kagyu school of Buddhism, a sect which came after the Nyingmapa and Sakya sects of Lo Gekar and the monasteries of Lo Monthang and was established in about the twelfth century. The Kagyu sect has a heavy emphasis on tantric meditation, believing that enlightenment can be reached in one lifetime if meditation is practiced enough, which I guess explains the meditation cell and the possibility of powerful flying lamas. Nobody knows who built Luri Gompa but it is estimated to have been built in the thirteenth or fourteenth century. The paintings on the highly polished chorten and on the domed ceiling and walls around it resembled the art of central Asian countries and was quite different to that seen in the monasteries of Lo Monthang and the other monasteries we had seen in Mustang. Images of high lamas were painted on the domed ceiling above, and below these were white flowers, something like chrysanthemums, on curling stems and with white leaves on a green background. At the very top of the ceiling above the chorten was an intricate mandala. The chorten itself looked and felt more like enamel than the clay from which it was built, so smooth and polished was its surface.

Along the inside wall something had been painted in large Tibetan script.

“Is this ‘om mane padme hum’? I asked Jit.

He consulted with the guide who read the script quietly muttering some ‘oms’ and ‘padmes’ under his breath. He then explained to Jit who translated:

“Is different mantra. ‘Om mane padme hum’ normalment but little bit mixed.”

Next to the door a sequence of vertical lines had been painted, like someone keeping tally and the guide said he thought it may have been someone keeping count of the circumambulations of the chorten, but he really didn’t know.

Stooping through the low doorway again, we returned to the room with the statues. Opposite was another small wooden door.

“What’s in there Jit?” I asked. He spoke to the guide then turned to me.
“This is a little dangerous,” he explained in a low, serious voice. “When-ça ceremony time they open, but is, ee,…like the goddess.”
“It’s dangerous for us because the goddess doesn’t like to be disturbed?”
“Ee, yes.”

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We climbed another ladder and emerged onto the roof of the red building to find a small solar panel. From here we looked down through a hole into an adjoining cave where the guide had again lit a fire in a small hearth in the middle of the room and was intoning more prayers. There was a shallow depression in the inner wall that looked like a small fireplace but with no chimney, which would explain the blackened walls and ceiling. Above it a ledge had been cut like a mantlepiece, and on this sat some rocks and a tarnished vessel with a very narrow neck. A copper bowl sat on a battered, broken, wooden, table, which had a thick coating of dust. More caves could be seen through holes in this cave. The cliff was honeycombed with caves.

“I think so, many house before; many room, many house,” said Jit.

He was guessing. Not much is known about any of Mustang’s caves. They’re estimated to be around 3000 years old and it’s assumed people lived in them at some time. Maybe Luri’s caves were inhabited by a community of monks, maybe the monks took them over after they had been long abandoned. I like the fact that the caves, the monastery, the extraordinary chorten and the unusual paintings are still a mystery.

We joined Dabendra, lying on the rocky ground enjoying his sleep, and ate some of Netra’s dried fruit and nuts and I pulled out the apple I’d save from Dhi. I ate half and gave the rest to the white horse. There was not another soul around. The guide had locked up and gone back to his village. We sat and relaxed in the sun. Across the gorge, the sharp fluted peaks that formed the cliff were topped with a completely flat, plain. There were many of these plains high above the river gorges and Michel Peissel described them as being “so level that a large aeroplane could have landed without so much as one stone needing to be moved out of the way.” The barren hills rose beyond them rolling away to the south in yellow-brown waves, and far away on the horizon, peaks topped with patches of snow.

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Yara

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Yara

We arrived in the late afternoon in Yara to find there was only one lodge open and it was full, so our guides had to share a tent, which they pitched in a walled yard just above the lodge.  I decided to rest before dinner and for a long time I sat watching out the window next to my bed, as the light slowly faded. The ubiquitous small brown sparrows hopped about amongst the wood piles along the roof edges. Opposite, a barren hill rose, dotted with clumps of spiky bushes.

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Three young guys came sprinting and laughing down the steep track that ran along the base of the hill below a solitary house. Below us was the walled dirt yard by which we had entered, the horses laboriously pulling themselves up the several steps. Now as I watched, several men came galloping effortlessly up the steps on horses, pulling them up sharply in the yard where they quickly dismounted. Jit told us later that they were here on a pilgrimage to take their horses to bathe in the holy lake, Damodar Kunda.

That evening, as we sat drinking in the dining room before dinner, a young woman came in to tell us that there would be Tibetan dancing and singing after dinner. We sat around the perimeter of the small courtyard and half a dozen women gathered in a line and began, quite self-consciously at first, to sing for us. They sang in nasal voices, swinging their legs in synchronised fashion, arms around shoulders, laughing at themselves when they briefly forgot how the song went, joining in with gusto when someone recovered the faltering song and it got going again. Between songs they would discuss amongst themselves what they should sing next, but we were never told what any of them meant.

Some of the men, who had been drinking raksi for a couple of hours by the time the singing began, joined in at certain points, yelling drunkenly and clapping enthusiastically and seeming to call out requests. The locals carried on for some time after we went to bed. Having lost all track of days of the week, I realised it was Saturday night—a wild Saturday night in Yara, high up on the Tibetan plateau far from everywhere. I guess this is how most of the world amused themselves before reliable electricity enabled TV, radio, recorded music, and computers to stop us from singing and dancing together.

That night I was woken about midnight by the ferocious growling of the lodge-owners’ dog outside my door. I sat for a long time at the window looking up the hill, lit up like day by the full moon, hoping I might see the elusive snow leopard, but nothing moved. The next morning I told Jit I’d been woken in the night.

“Yes, I hear jackals last night. First far away, then close to our tent,” he told me.
“Jackals?” I replied. “Like a wild dog?”
“Mmm, no maybe more like a fox. They eat chickens, maybe small goat.”

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Caves in the cliffs near Yara

So perhaps it was not the snow leopard, just a pack of Himalayan jackals raising the hackles of all the village dogs. Evidence of brown bears has also been found in Upper Mustang as high as 5500 metres. They live on small mammals, mostly marmots, and birds, but between 2005 and 2008, herders in the Manaslu area of the Annapurnas reported losing twenty-nine animals, mostly yak calves, but some horses and mules, to bears. They aren’t often seen, but bear scat has been found around Lo Monthang, in the Chhosar region and near other villages and they have been spotted in the Damodar Kunda region to the east of Yara. They tend not to come too close to villages although some researchers believe livestock reportedly taken by snow leopards may in fact have been taken by bears, judging from the hair samples left behind. A Himalayan wolf was seen in Upper Mustang in 2004 and their scat has also been found but it’s believed there are fewer than 350 of these wolves in existence.

To Dhe

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Next morning we ambled out of Lo Monthang and quickly began climbing to the top of the Lo La, the pass above Lo Monthang, and, after stopping for a last look back at the walled city, we headed to Dhe en route to Yara.

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We were heading south again but would soon turn east and cross the Kali Gandaki. We followed a rough track of loose, sandy soil along a ridge. As we ambled along I found myself looking down at the horse and footprints in the sand made by other travellers, not thinking about much at all, until I realised that I was no longer seeing horse and footprints but also large paw prints. They were heading in the opposite direction, back to Lo Monthang. I turned around to Netra and Dabendra walking behind me and holding my hand in a claw shape, shook it towards to the ground.

“Paw prints,” I said, and pointed at the ground.
“Ya, tiger,” replied Netra.
“Snow leopard?”
“Ya, ya. Big one,” he replied, and laughed.

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My eyes were now glued to the ground and the prints continued until we reached the turnoff to Dhe, where they gave way to small goat prints. They continued along the track that led to Tsarang, not far from Marong, where 120 goats had been killed by a snow leopard, just a couple of weeks before.

We now turned to descend towards the river, but the horses decided that they’d rather not. The brown horse, carrying the packs, took off running way off the track. Dabendra set off yelling abuse and throwing rocks at it, trying to steer it back onto the track. Meanwhile, Netra motioned to me to dismount because the descent was too steep and slippery for riding. Let go, my white horse took off too and try as they might, Dabendra and Netra could not get it back. It was headed back to Lo Monthang; it had clearly enjoyed its time there and decided it would prefer to return. The brown horse tried to follow it, but Netra managed to stop it in time. It kept stopping and trying to turn but we all managed to keep it going in the right direction. Netra turned and ran back up to help Dabendra.

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We were a long way down when we finally spied Netra far above us walking down alone. There was no sign of Dabendra or the other horse, so we all just carried on, slipping and gingerly making our way down the very steep, slippery, sandy slope.

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Below us emerged the patchwork quilt of the fields of Dhe, stretching to the edge of the river bank. On the opposite bank was the village of Surkhang, but it is only accessible from Dhe when the river is low enough to walk across as it sits where the Puyung Khola meets the Kali Gandaki and there is no bridge between the two villages. A suspension bridges crosses the Kali Gandaki river upstream of the meeting point between the two streams.

We had just arrived at the bottom, outside the village of Dhe, when to our amazement here came Dabendra on the white horse, galloping it down the same track we’d just inched our way down.

Like the village of Samdzong, which is moving due to lack of water, the village of Dhe has been struggling with the same problem, and has begun the process of relocation. Some outside of Dhe believe the village’s troubles have been caused by the selling of saligrams, others because they killed and skinned a yeti.

But as we sat in the warm dining room waiting for our noodle soup, we were oblivious to all of this. The room was much like all the dining rooms, with its mud benches covered in carpets running around the perimeter behind low, ornately painted tables. The walls were a blue-green and covered in the same pictures as in many of the other lodges: the panorama of Lhasa, a large painting of the Potala palace (the former residence of the Dalai Lama in Lhasa), photos of the Dalai Lama and Sakya Trinzen, some family photos, and a large silk thangka. Wires were strung loosely around the tops of the walls and ran down to two car batteries. One appeared to be for lighting, the other to power a small television inside a glass-fronted cabinet.

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Kitchen noises could be heard from behind the piece of fabric hanging in the doorway. Otherwise the place seemed deserted. While we waited, Dabendra was put to work carrying lunch out to the workers in the field, baskets of food and a thermos of tea. Netra came in and gave us an apple each; here as in most of the villages there were plenty of apples.

Lunch over, Dabendra took the horses down and across the river, while the rest of us went via the long metal suspension bridge. Below us, a thin milky blue stream ran. Clumps of poplars huddled close to the water’s edge.

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Upstream, where the gorge narrowed, stood a small red chorten, its edges crumbling, towered over by the weathered cliffs, with horizontal layers of red, yellow, grey, and brown. Over all arced the hard, blue, cloudless sky.

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We were in remote country now.

Farewell the Walled City

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On our last afternoon we went for a final walk around Lo Manthang. People sat in the late afternoon sun, as though soaking it up while they could, for it would soon be winter. Some called “Namaste”, one older man “tashi delek” the Tibetan greeting. Men carrying loads of hay and heavy feed bags strapped to their foreheads walked with purpose. Somewhere a goat bleated. In one street, children, still in their school uniforms, called out,

“Where are you from?” and, a common greeting, “Where are you going?”.
Old women sat on the ground, backs against the wall, chatting. Men sat on ledges outside shops desultorily twirling small prayer wheels, asking

“You like to look in my shop?”

One elderly man, whom we had seen a few times on our walks, offered

“Rooftop view?”, and we had seen a few photographers take up his offer.

Of course there would be a fee for this privilege. Women, bent double, swept leaves from the rough ground with the small brooms made from sticks tied together that you see throughout Nepal. Others crouched by taps washing clothes and metal dishes. Goat hides lay spread out, drying. The air was crisp with the chill of the coming night and, as ever, the smell of manure, clods of it drying along the ledges, was everywhere. Around this ancient, walled city, the ageless hills rose, silently, majestically, as though in the quiet understanding that this city, although it had stood for nearly 700 years on its “Plain of Aspiration”, would one day pass away, and that when it did, the hills would still stand silently, eternally.

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Outside the city walls, a large square building with square towers on each corner was being constructed, two storeys high, three at the corners. The bottom storey and the top of each tower had an outer surface of stones while the other walls were smoothly rendered. An “R” had been worked into the stonework on at least one of the towers. It had timber windows set deep into the cement grey wall. Large sheets of plywood covered what looked like the main entrance. It was still very much a construction site but no work was going on. This was a new boutique hotel being built by the Crown Prince or Gyalchung. A boutique hotel seemed incongruous in Lo Manthang. It’s not the kind of destination you’d head for if you wanted luxury accommodation.

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Outside, between the Kunga Shopping Shop and the Lo Manthang Youth Club, advertising “hot showers” in hand-painted letters on its wall, two women and their children squatted by the stream washing clothes. Here the stream was wider just before the concrete channel began that directed the water around and through the main gate, and channeled it through the whole city. It ran clear and shallow over smooth stones. Using bars of soap and plastic scrubbing brushes, the women scrubbed the clothing on the larger stones. Even the children’s shoes were waiting in the queue to be cleaned. Two little girls called out “Namaste” and one proudly pointed to one of the women, saying, “this my mother!”.

We passed a boy of about 6 trying to ride a small broken bike, its back wheel hopelessly buckled. We watched three little boys of about 4 pulling two cardboard boxes along by pieces of string. Every now and then they stopped to put some leaves or bits of rubbish in the boxes, then continued on, chatting seriously about the whole operation.

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That night, our last in Lo Manthang, I climbed up the ladder at the end of the upstairs balcony and onto the roof. The moon was up and the hills glowed pale orange and butter yellow in the last remnant of daylight. Prayer flags fluttered in the breeze and birds still twittered busily. Over the wall, the palace stood dark and abandoned. In the distance a horn blared, then a tractor with a large trailer attached, heavily laden with green grass, rattled noisily up the street, pausing briefly with each new acceleration, like an old man catching his breath, and carrying with it the jarring sound of Bollywood pop music.

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Lo Gekar

IMG_0409From Tragmar we climbed steeply between the red cliffs and, after stopping to catch our breath, set off across gently undulating country. The yellow, grey, and white of the Tibetan plateau stretched before us, shadowed in places by heavy, dark clouds.

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There were no villages now before Lo Manthang, but at morning tea time, we descended a gentle slope to the ancient monastery of Lo Gekar. Also called Gar Gompa or “house monastery”, Lo Gekar means “pure virtue of Lo”. It sits on a rise above a stream, surrounded by trees. The horses were let free to graze on the green grass that stretched away to the edge of the stream, while we explored the monastery.

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Jit led us into a small building where we turned the large prayer wheel three times, then we climbed the steps and entered through a heavy brown wool curtain into the gloom of the monastery. Lo Gekar is 1300 years old, the oldest monastery in Mustang, and was established after Padmasambhava stopped there to meditate on his way from India to Tibet where he introduced Buddhism. It smelled of smoke and incense. Small paintings of Buddhas covered two walls and set in an alcove behind glass, were life-sized statues of two goddesses, one seated on a cow, the other on a horse. David Snellgrove identified the one on the cow as “Fierce lady with Good Things”; our guide told us she was the protector goddess, which I guess amounts to the same thing.

After lighting a butter lamp for our safe journey, Jit called me over to one corner and we crouched down to see a small image of the Buddha carved into the stone wall. It was about a foot high, worn smooth over time; in the creases were remnants of gold paint.

“Tara,” the guide said.
“Tara?” I replied.
“Ya, Tara.” I had no idea what he meant. I later learnt that Tara is a female incarnation of the Buddha. Jit searched hard for the words to explain.
“This is, errr, nobody is, err, it’s a-come just out like that. Maybe when some, errr, meditation, err, Padmasambhava it comes like that.”
I had been concentrating hard to understand him, then realised what he meant.
“So it just appeared?” I said
“Yes!” replied Jit.
“So it just appeared in the stone?”
“Ya,” replied Jit and the guide together.

It was a “self-emanating” Buddha, of which there are apparently several throughout Mustang and Tibet.

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I needed the toilet and after following the directions found a free-standing building perched above a steep drop that fell away down to the river. It was a rough squat toilet, just two boards set into the floor with a gap in the middle. I tried to ignore the enormous pile of excrement underneath. I stood up and looked out the small square window. The view to the east looked over the terraced fields of the village of Marang, pink and fading green, edged with dark green trees, like all the other villages, defiantly brimming with life as the desert mountains jealously closed in around them. Craggy bare hills stretched away, and to the south, white peaks guarded the horizon.

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After sweet tea in the dining room upstairs, we set off once again crossing the rocky stream via a small wooden bridge, before climbing to the next pass and on to Lo Manthang.

Travelling back in time

I am a travel writer working on my first book about Upper Mustang, Nepal.

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The Kali Gandaki river

I learnt about this area about five years ago when I was researching Nepal before my first trip there. That’s when I came across the mediaeval walled city of Lo Manthang. That there was a walled city on the Tibetan plateau, built in the Middle Ages, still in existence, still occupied by descendants of the original inhabitants, still with its own royal family, was mind-blowing.  I had to go there. I looked for books about it but the only one I found was a book written in 1965 by a Frenchman, Michel Peissel, called Mustang: The Lost Tibetan Kingdom, but nothing since. I tried to get a copy, but it was long out of print. Copies went for as much as $400 on the Internet, but I persevered and finally found an affordable copy.

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After reading his book I decided to set out on horseback for Lo Manthang in the footsteps of Mr. Peissel, fifty years after his journey, to see what he saw, what was the same and what had changed. It was a journey into north-western Nepal, but in reality a journey into Tibet as it was before the Chinese occupation; it felt like going back in time.

Come back and visit and I’ll tell you about it.